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2023-05-04
- 电影
The Language and Style of Film Criticism
TheLanguageandStyleofFilmCriticismbringstogetheroriginalessaysfromaninternationalrangeofacademicsandfilmcriticshighlightingtheachievements,complexitiesandpotentialoffilmcri
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2023-05-04
- 电影
A Companion to Film Theory (Blackwell Companions in Cultural Studies)
Thisvolumeofspeciallycommissionedworkbyexpertsinthefieldoffilmstudiesprovidesacomprehensiveoverviewofthefield.Itsinternationalandinterdisciplinaryapproachwillhaveabroadap
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2023-05-04
- 电影
Hong Sangsoo - Korean Film Directors
WhenHONGSangsoo'sdebutwork,"TheDayaPigFellintotheWell,"wasreleasedinMay1996,thenation'sfilmcriticswerethrownintoshock.Thecinematiclanguageinthefilmwasunprecedentedin
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2023-05-04
- 电影
Film Structure and the Emotion System
Filmsevokebroadmoodsandcueparticularemotionsthatcanbebroadlysharedaswellasindividuallyexperienced.Althoughtheexperienceofemotioniscentraltotheviewingofmovies,filmstudies
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2023-05-03
- 电影
The Walt Disney Film Archives: The Animated Movies 1921-1968
TheMasterMagicianAfantasticvoyagethroughWaltDisney’sanimationworks“It’skindoffuntodotheimpossible.”–WaltDisneyOneofthemostcreativemindsofthe20thcentury,Walt
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2023-05-03
- 电影
Walter Benjamin and the Aesthetics of Film
WalterBenjaministodayregardedasoneoftheleadingthinkersofthetwentiethcentury.Oftencapturedinpensivepose,hisimageisnowthatofaseriousintellectual.ButBenjaminwasalsoafan
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2023-05-03
- 电影
Film As a Subversive Art
Aclassicreturns.TheoriginaleditionofAmosVogel'sseminalbook,FilmasaSubversiveArtwasfirstpublishedin1974,andhasbeenoutofprintsince1987.AccordingtoVogel--founderofCinema
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2023-05-02
- 电影
Stanley Cavell and Film
“Filmismadeforphilosophy,”assertedStanleyCavell.Inadditiontohisworkonscepticism,morality,andtheintentionsandmeaningsofordinarylanguage,theAmericanphilosopherwrotefascinatin
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2023-05-02
- 电影
Reflexivity in Film and Literature
Reflexivityreferstothosemomentsinfictionandfilmwhentheworksuddenlycallsattentiontoitselfasafictionalconstruct.Forexample,inliteratureacharactermightsuddenlystepoutofthe
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2023-05-02
- 电影
The Philosophy of Film Noir
FromTheMalteseFalcon(1941)toTouchofEvil(1958),theclassicfilmnoiriseasilyrecognizableforitsunusuallighting,sinisterplots,andfeelingofparanoia.Forcriticsandfansalike,thes
