Transcendental Style in Film
Transcendental Style in Film

TheacclaimeddirectorofMishima,AmericanGigolo,HardCore,BlueCollar,CatPeoplealsothescreenwriterforTaxiDriver,PaulSchraderhereanalyzesthefilmstyleofthreegreatdirectors—Ya

The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film
The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

SlavojZizekisoneoftheworld'smostimportantcontemporarypublicintellectuals.Muchofhispopularitystemsfromhisconstantandrecurringreferencestopopularcultureandcinema,aswellash

The American Film Musical
The American Film Musical

'"TheAmericanFilmMusical"isatrulyadmirablebookwhichiswellworthmakingasonganddanceabout.Itwillimmediatelyassumebiblicalauthorityforallwhoareseriouslyinterestedinthedrea

Film as Philosophy
Film as Philosophy

Thisuniquevolumetreatsfilmsasphilosophy,ratherthanspeakingoffilmsonlyinrelationtophilosophyandsubjugatingthefilminquestiontopre-existingtheories.Bringingtogetheressaysfrom

The Routledge Companion to Philosophy and Film (Routledge Philosophy Companions)
The Routledge Companion to Philosophy and Film (Routledge Philosophy Companions)

"TheRoutledgeCompaniontoPhilosophyandFilm"isthefirstcomprehensivevolumetoexplorethemainthemes,topics,thinkersandissuesinphilosophyandfilm.The"Companion"featuressixtyspecia

Film and Phenomenology
Film and Phenomenology

InFilmandPhenomenology,AllanCasebierdevelopsatheoryofrepresentationfirstindicatedinthewritingsofthefatherofphenomenology,EdmundHusserl,andthenappliesittothecaseofcinemat